|
|
EDITOR'S PICK
`Maranthen
Mannithen` - love of a different kind (IANS Movie Review)
Rating: ***
We have had so many love stories in Indian cinema over the years that we have
literally lost interest in sitting through one more love story, no matter how
well made. The reason being the utter lack of innovation in presentation to keep
the audience engaged.
Debut director Kumar Nagendra`s "Maranthen Mannithen" (MM), Tamil
dubbed version of Telugu film "Gundello Godari", which is based on a
book by BVS Rama Rao, narrates a love story against the backdrop of the Godavari
floods of 1986. Even though at heart, MM is a love story, the path it takes to
narrate is far different several passe love stories.
In a hamlet on the coast of Godavari river, Aadi and Lakshmi, two strangers, are
thrown into wedlock. As the newly-weds try to cope with the shock, a flood
warning is issued, forcing the inhabitants to run for cover. However, Aadi and
Lakshmi, still reeling under the shock, manage to stick together and find cover
atop a floating house and narrate their past.
Bonded by marriage, Aadi and Lakshmi discover love despite their secrets and
troubled past. This becomes the crux of the story, but what is wonderful to see
is how two strangers develop faith as man and wife and aspire to live happily
ever after.
It might be a simple love story, but thanks to the director`s vision, he
succeeds in making it a refreshing film. He scores high on presentation and the
conviction with which he addresses sensitive issues in a relationship, deserve
special mention.
Thanks to a dedicated team of technicians, MM does complete justice to the
context of the film and presents every detail with utmost care. Be it the
recreation of the hamlet, the fishermen, their daily lifestyle, it all seems
believable. Palani Kumar`s rich cinematography raises the film up a notch and
paves way to a one-of-its-kind visual experience.
The flood scenes are as real as one could have imagined thanks to a good CGI
(computer generated imagery) team. Even though the film is painstakingly slow in
places, it doesn`t fail to engage with the help of a stellar cast. Every actor
in this film has attempted something far different from what he or she has tried
in the past and, luckily for all of them, it clicked.
For instance, Taapsee`s bold role may or may not be appreciated by one and all,
but thankfully the character fits suitably into the narrative, thus allowing the
audience not to get judgemental. Even though this can`t be termed as her best
work, she impresses to an extent.
Aadi and Sundeep shine in their respective roles, while Lakshmi wins hands down
in her author-backed role. Having only played brief roles until now, including
one of an antagonist, she definitely has pushed the boundaries with her
performance.
Finally, MM would have been incomplete without maestro Illayaraja`s music. Even
though he uses most of his old tunes from the 1980s, one can`t complain because
it seems apt for the era the film is shot in. Aptly supported by the background
score, his music leaves us longing for more.