|
|
EDITOR'S PICK
Rating: ***
When "Cars" came out in 2006, the film, in its own way, changed
animation forever. For the first time, animation tackled one of the greatest
challenges it has ever faced - giving emotion to objects that are not only
lifeless, but whose physical appearance (bulky cars) don`t allow much room for
giving them expression on the drawing board.
But John Lasseter, the creative helm behind the phenomenal success of the Pixar
story, managed just that with "Cars". However, five years later, that
does not seem to be so cutting edge. Where the film could have made up for this
loss, is through a solid storyline like "Toy Story 3". However,
"Cars 2", with its wafer thin story line, fails in that respect.
In the "Cars 2", Lightening McQueen (Owen Wilson) has won four Piston
Cups in a row and is settled in Radiator Springs that has become a huge tourist
attraction. Tow Mator (Larry The Cable Guy), the rusty old car is his best
friend, who unwittingly challengers another car and McQueen finds himself
fighting a championship that is meant to showcase a new source of energy instead
of petroleum. A British intelligence car meanwhile, has discovered that
something is not right in the world of oil.
"Cars 2" takes car chases a bit too literally. And though it is
exciting to see cars chasing one another through rooftops the world over, it is
not really as thrilling as watching humans chasing each other through roofs, the
great animation work notwithstanding. Hence, while the visuals continue to be
stunning, its thin story line, and reliance on thrills, rather than emotion,
does the film in.
Even when trying to tackle the politics behind renewable energy, which indeed
exists in the real world, it goes a little too simplistic. Also, unlike the
first, there is no metaphor, or soul to the film, and the little attempts at
showing that even the old belong in the new world, is not driven home with
creativity.
The film does try to make up for the loss by some ingenious reference, like a
Car Pope or a car that is the British Queen. But that is not enough in a film
that lacks either the laughs, or the emotion of its much more exciting
predecessor.
John Lasseter perhaps remains good only behind the scenes, as the executive
producer of some of the most landmark animation films ever made, rather than in
the directors chair.