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EDITOR'S PICK
Rating: ***
Pawan Kalyan returns with a bang. Pawan had a sensational beginning in the
Telugu film industry with several hits, but his career saw a dip recently
because of the mediocre films he featured in. Now, with a film like Teen
Maar, a remake of Saif Ali Khan-Deepika Padukone starrer Bollywood hit
Love Aaj Kal, the actor makes an impressive comeback, though some of
his fans may not like urban and chic presentation. Most of the sequences have
been shot abroad.
Except for his film Jalsa, directed by Trivikram Sreenivas, which
concentrated more on comedy and love elements, many of his films, including the
much-awaited Komarum Puli, turned out to be box office disasters.
But the stylish actor, who is also one of the most popular in the Orkut
community, makes a mark with the soft romance saga. Though the title seems
unsuitable for this stylish made film, Teen Maar is an enjoyable
watch.
The highlight of the film is certainly Pawan`s top notch performance and
Trivikram`s dialogues. Pawan`s signature style dialogue delivery suits the
film`s tempo.
The film`s weak point is its second half - except for the final encore, rest of
it drags. Jayanth Paranji has made some changes in the original script and it
look like forced addition. The narration often drags, but thanks to the energy
of leading stars, the film maintains continuity and engages audience.
Teen Maar has two different stories spread over three decades. one
is a tender and soft love, other is contemporary with confused lovers unable to
decide on their future.
Michael Velayudhan, a chef, lives in Cape Town and falls in love with Meera
Shastri. But Michael, a compulsive flirt, is indecisive about his relationship
Meera who wants to return to India. Finally, Michael decides to end their
relationship.
While Michael becomes friendly with another local girl, back home Meera gets
closer to a local politician.
With the main track, another parallel story that took place three decades ago in
Varanasi runs and focuses on Arjun Palawai who is ready to do to any length for
the sake of his love. The film ends on a happy note.
Pawan is lively in both roles. He has also taken efforts to dance well to the
tunes of Mani Sharma. Surprisingly, his onscreen chemistry with Trisha works
brilliantly for the film. For the first time, there is a lip-locking with
Trisha. Shot asthetically, it looks natural part of the story.
Thrisha is suits the role. She adds grace and charm to her character.
Bangalore girl Kriti Kharbanda`s in the parrellel story looks quite natural. Ali
is seen in a miniscule comedy role. Sonu Sood, Mukesh Rishi, Paresh Rawal are
apt choices for their roles.
Mani Sharma`s song compositions are impressive, but background does not attain
the standards he is known for. Camera work by Jayanth Vincent is superb. All the
other technicians of have done a commendable job.
Teen Maar is worth a watch. Pawan Kalyan`s urban fans may like it
much better.