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EDITOR'S PICK
Rating: ***
It is deliciously ironical that during the week that our tennis queen Sania
Mirza announced she would marry a Pakistani cricketer, comes this film where the
young desi pair threatens to get married and move to Pakistan.
Life often imitates art. And art is often a close companion of kitsch and
melodrama. Kitschy melodrama is attacked by purists. But there`s something to be
said about a good old-fashioned melodrama like "Sadiyaan" where the
biological and foster mothers, played by Hema Malini and Rekha respectively, vie
for a son`s love and attention and outdo each other in the sacrificial arena.
They don`t make screen-moms like Rekha and Hema any more.
Raj Kanwar induces great dignity into the tussle between the modernday Devaki
and Yashodhara. Yup, there`s something to be said in favour of nostalgia. Just
see how Hema Malini, Rekha and Rishi Kapoor light up the screen in this
surprisingly-watchable-in-parts ode to fugitive parenthood. Cleverly veteran
director Raj Kanwar who in the past has made some very successful melodramas,
focuses on the older generation in the second-half so that the story of young
love gets a strong back-projection.
"Sadiyaan" has its heart in the right place even when it, the heart
rests in callow place. The courtship between the two newcomers in the first-half
lacks a virile force. The rituals of romance are rather routine. As a matter of
fact the cynics can accuse the scriptwriters of investing too much heart into
this tale about the pangs of Partition that tore India into two messy halves
more than sixty years ago.
We`ve had some remarkable Hindi films on Partition ranging from the classic
"Garam Hawa" to "Gadar Ek Prem Kahani". "Sadiyaan"
is not quite in the same league. It isn`t lacking in emotions. Nor does the
narrative miss out on putting the right punctuation marks in every sequence.
What prevents the film from taking wings is also the quality that lifts the film
above the culture of prevalent puerility.
"Sadiyaan" has that fast-fading quality called tehzeeb. To get to that
core of genteel emotions one has to forego the fast-food pleasures of
contemporary commercial cinema where any shot that lasts more than 5 seconds is
considered distracting. "Sadiyaan" revels in lingering moments and
interactive dialogues that speak of mythology in a semi-historical context.
The main actors lead the narrative gracefully into a heartwarming conclusion.
The dialogues by Javed Siddiqui convey a cutting edge touching long-forgotten
chords and opening wounds of history`s failings that never healed without
getting involved in polemics. Anshul Chobey`s camera sweeps over the idyllic
innocence of Amritsar with a panoramic grace.
The debutant Luv Sinha conveys a rawness and innocence that go well with his
character. His dialogue delivery and body language need fine-tuning. Time always
takes care of the rough edges. That`s what this film is about.
Trust the strong stalwart cast to steel and steal Raj Kanwar`s engaging
screenplay. Rekha and Hema Malini as young Sinha`s two screen moms are a study
in contrast. Rekha is exuberant and restless and quite an antithesis to her
husky mysterious characters. Hema is dignity and restraint personified. Her
arrival after intermission signals the film`s most watchable portion. As for
Rishi Kapoor, has he ever let a film down?
The narrative follows old-world conventions like comic relief (between an Indian
and Pakistani domestic help) and a Mujra (performed spiritedly by Neetu Chandra)
during the wedding. But it`s the irony at the core of the plot that sweeps us
over the glitches and hiccups. A Hindu mother decides to find her adoptive son`s
biological Muslim parents so he can marry the girl of his choice.
"Sadiyaan" appeals at a very basic level. They don`t make too many
movies like these any more.