Set in a Mumbai ghetto in the mid 80`s and based on true life accounts, Striker is a story of triumph of human spirit over indomitable odds.
Born into a poor family, Surya grows up with few luxuries.
Poosr health keeps him away from school often and that is when his elder
brother, Chandrakant, introduces him to carrom.
Quite similar to pool in its concept, carrom is common among people from middle and lower income groups all over India. Precision and skill are vital to playing the game well; attitude and confidence are crucial to win. The underground carrom scene has been breeding hustlers and gamblers for many years.
Winning the junior Carrom Championship at 12 is not enough to keep Surya`s fire for the sport burning through adolescence. Hopes for a job in Dubai, replaces the passion for carrom as Surya grows into a young man.
Duped by a bogus overseas employment agency, Surya loses all his hard earned money he had saved goiing to Dubai. Surya is forced to cross paths with Jaleel.
Since the 70`s when the settlements in the ghetto began, Jaleel had acquired a strong hold in the area. He had his hands in every illicit activity since then. Feeding on the weaknesses of people, Jaleel was the self-Proclaimed King of Malwani.
Reintroduced to Carrom by his childhood friend Zaid, this time to the hustling scene, Surya starts playing again. Being gypped of his hard earned money by the same man who had caused misery for many families, Surya decides to take on Jaleel on his turf.
His patience and cool attitude are Surya`s biggest strengths. But life has ways of testing even the strong.
Striker is not a film about good versus evil. It is the story of a friendship, life in the city of dreams in 80`s, a story of a game that is most common but non-existent. A story of a Carrom player who grows up on the fringes of a criminal existence but does not succumb to it.
"Striker", as we can well see, was not an easy film to make. It`s not an easy film to see either. The vast near-epic scale scope and expanse of the slum saga stretches into two hours of a non-linear narration where time passages are made without borders.
The lack of punctuation marks in the telling of the tale of the coming of age and rage of the protagonist Surya (Siddharth) is a major detriment in identifying the swarm of characters as people who go beyond the immediate job of living their grass root-level lives and try to repair their lives and restore a method of morality behind the madness of a fringe existence.
The madness of slum-life, its eccentric crime modalities as seen through the eyes of the growing and aimless Surya, is brought out in the way editor Sajit Unnikrishnan cuts the material.
It is quite evident that director Chandan Arora has bitten more than the editor can finally chew. There`re stretches of undisclosed narrative material that seems to have been sacrificed to a serious economy of expression that borders on an austerity overdrive.
Characters such as the Muslim girl next door (newcomer Nicolette Bard) vanish from Surya`s life. But not before Surya does his own "Mere Mehboob" with the girl, even throwing a letter into her balcony. This is the Mumbai slum in the 1980s, in case you`ve forgotten.
Many questions that crop up in the course of the narrative remain unanswered to the bitter brutal end. All we know is that Surya wants a better life. He gets the bitter instead.
"Striker" opens and closes with the tension around the slums during the 1992 riots. The on-location shooting brings to the proceedings a kind of clipped and cutting edge and an intimate immediacy to the proceedings. You feel you are there in the slums with Arora`s characters. But you aren`t sure you want to be there. We never stay long enough with the characters to get to know them well.
The performances keep us moving, kicking and dragging with the seamless unpunctuated narrative. Almost every characters seems to get the point, Siddharth more so than most with a performance that creates contours in the climate of chaos. His layered performance is balanced and even. Siddharth hits the high notes without getting shrill.
Aditya Pancholi as his chief adversary on the carrom board and off it, is menacing yet restrained managing the age-leaps with startling ease. Ankur Vikal the hero`s hyper-ventilating best friend who comes to a sticky end, plays the part with relish. Yup, he too gets the point.
There`re some other fine actors who prop up in the narrative including Anupam Kher, Seema Biswas and Anoop Soni. There`s no room for them to make an impact. The same goes for the two leading ladies. Quiet and wordless Nicolette comes before interval, verbose and aggressive Padma Priya comes after.
"Striker" uses the metaphor of the strike on the carrom board with a fair amount of inner conviction that unfortunately gets substantially lost in a welter of crowds and noises signifying the fury of nulled lives. You can`t fall in love with Arora`s carefully-crafted world of slum-dogged obduracy where swords still rule and guns are a distant boom.
See the film for its frenetic characters who seem to have distant links with the people we saw in Vikram Bhatt`s "Ghulam" and Danny Boyle`s "Slumdog Millionaire". Happily the tragic outcome of the lives lived on the edge in the film is strictly their own.