Jigariyaa, is a love story lost in time. A time when purity of heart and innocence were the only two things that united two people in love. A time when promises and pacts made in love were worth their weight in gold.
Inspired from the true events, 'Jigariyaa' tells the tale of Shyamlal Gupta (Shaamu) and Radhika Sharma (Raadha). Shaamu, the only son of halwaai Ramlal Gupta is a happy go lucky boy based in Agra, the city of love. He spends his days writing sheyr-o-shayari admired by his motley group of good-for-nothing friends and his doting mother.
The only daughter of Pandit Shankar Dayal Sharma, Radhika, is a well educated and caring girl who helps her father in his endeavours as a social do gooder and a man of high reputation in Mathura, the city of Lord Krishna. She is the apple of his eyes and is loved by one and all.
On a visit to her Nani's house in Agra, Shaamu, literally falls in love with Raadha at first sight and thus begins his quest to find this elusive girl in the streets of Agra.
As they grow fond and close to each other, the destiny takes another turn and the two lovers break apart.
Where will their lives take them from here? Will the two innocent lovers unite or will fate again tear them apart??What does destiny have enstored for them?
Shakespeare lives! It was "Hamlet" in Kashmir last week. It's "Romeo and Juliet" in Agra this week. Wow, 'Bharat Darshan' with the Bard.
Small-town love stories with their own unique colours, flavours and aromas hold a peculiar charm for us. Of late, there have been many small-town takes on "Romeo and Juliet". Anand Rai's "Raanjhaana", Sanjay Leela Bhansali's "Goliyon Ki Raasleela Ram-Leela" and Manish Tiwari's under-rated "Issaq" come to mind immediately.
"Jigariyaa", about a confectioner's (repeatedly called halwaai in the film) son's eruption of unbridled passion for a zamindar's daughter, has a sweet tender ricocheting charm of its own. The bustling Agra ambience is beautifully bridled and unleashed to bring out the urgency of a desperate irrational love. The courtship is filled with smile-a-while gusto. And as we watch, the love come done and then undone, we can't help getting involved with these two headstrong wannabe Romeo and Juliet of Agra.
"What to do with them?" is the thought I came away with. Director Raj Purohit had earlier made a completely contrasting film called "Sixteen", which was a deftly told coming-of-age story about a bunch of urban 16-year olds. Here, Purohit goes completely rustic and raw with a plot that transports the love birds to the era of Govinda in the 1980s. The ambience is very crafily insinuated into the love story. The film has some brilliant camerawork by Sriram Ganpathy who captures the 'galli and mohallah' culture with warmth and vividness.
You can almost smell the samosas frying in the roadside 'kadhai'.
The lead pair do the rest.
While newcomer Cherry possesses a certain unvarnished awkwardness that makes her Radha seem endearingly vulnerable, it is Harshvardhan, who, as the 'galli ka chichora chora' Shamu pitches in a playfully pungent performance filled with childlike mischief and yet underlined by a sexual aggression.
I liked his Romeo better than both Ranveer Singh's over-the-top and Dhanush's Romeos in earlier takes on the tragic play.
The supporting cast is well informed. Veterans Virendra Saxena and K.K. Raina play the hero and heroine's father's respectively. Not much that can go wrong here.
"Jigariyaa" has its share of flaws to reckon with. For one, it doesn't really add anything to Shakespeare. But then it doesn't take away anything substantial from the source-material either. The music too adds nothing to the romance. That's a pity. If music is the food of love, then this film definitely needed some nourishment.
On the plus side, director Purohit knows his characters's inner world and how to connect it to the bustling ambience. The lovers seem fatally clueless about the ground-reality. Luckily, the director knows his job.
"Jigariyaa" is a splashy, flamboyant, colourful and earthy take on "Romeo and Juliet". The film gives us an impressively intuitive debutant Harshvardhan who seems to know more about love in Agra than tragedy in Shakespeare.
Star-crossed love against the backdrop of the Taj Mahal played
out a high octave...And yes, it works.