"I would love to make a show where you have all the 
                      classical dances like Bharatanatyam, Odissi, etc, but times 
                      have changed. We can hardly do anything as even television 
                      producers are not willing to take up a concept like that. 
                      None of the channels support me," said the 63-year-old, 
                      who is married to veteran star Dharmendra.
                    There are many feathers in Hema's cap. Apart from being 
                      a good actor and dancer, she is a director as well as a 
                      producer.
                    Her first film as a producer and director was "Dil 
                      Aashna Hai" in 1992, which had Shah Rukh Khan playing 
                      the lead role. After 19 years, Hema has once again donned 
                      the director's hat with her new film "Tell Me O Kkhuda", 
                      which stars Esha Deol, Arjan Bajwa, Dharmendra, Rishi Kapoor 
                      and Vinod Khanna.
                    What changes have she noticed in the field of direction 
                      and production over the years?
                    "Direction has undergone a dramatic change. Technological 
                      advancement has taken film direction to a newer level. And 
                      it is important to make full use of it in the right way," 
                      said Hema, fondly called the "Dream Girl".
                    However, she feels post-production has become quite expensive.
                    "Many times I have seen, if something goes wrong and 
                      we tell the cameraperson that this is defective, they say 
                      'don't worry everything would be corrected in post-production'. 
                      It not only becomes expensive but also time-consuming. This 
                      was not there before," said Hema, who has films like 
                      "Dream Girl", "Sholay", "Johny 
                      Mera Naam" and "Seeta Aur Geeta" to her credit.
                    "Earlier, we had no option but to do everything completely 
                      correctly. I feel films made earlier were also of good quality. 
                      The girls were very beautiful at that time and that beauty 
                      would come alive on screen, whether it was Madhubala, Meena 
                      Kumari, even in black and white.
                    "There was no technology at that time, they used to 
                      picturise it very well and the lighting was very nice. We 
                      don't see that beauty on screen any more. Today you cannot 
                      even see the heroine properly; in the fraction of a second 
                      the scene changes."