Siddique feels language is not a barrier while adapting
a script, but it certainly posed problems for him when he
had to interact with people while making the film.
"It wasn't that easy for me to make a film here because
I was out of my comfort zone and my working style. I was
also among new people. The most difficult part was that
I didn't know the language and so it became a little difficult
to make others understand with my 'tuta-futa' (broken) Hindi."
"Salman and Kareena watched the other versions of
the film. They understood the main plot of the characters.
They understood what I wanted from them. When we started
shooting, I didn't have to explain much to them as they
had the idea about what I expected from them in a particular
scene," he said.
After starting his career in the early 1980s, Siddique
made films in Tamil and Malayalam. Priyadarshan is known
for adapting Siddique's films - he turned "Ramji Rao
Speaking" (1989) into "Hera Pheri" (2000),
"Godfather" (1991) into "Hulchul" (2004)
and "In Harihar Nagar" (1990) into "Dhol"
(2007).
But he has no qualms about it as he feels the "give
and take" process between Bollywood and Southern filmdom
is "bridging the gap between the two industries."
"I had offers even before, but I didn't accept them
at that time. But I think it was wise of me because this
is the right time for me to enter Bollywood," he said.
Before foraying into Bollywood, Siddique saw over 60 Hindi
films to understand how Bollywood movies are made.
Comparing the two industries, he said that the southern
film industry is still in a developing stage.
"It's not that there are any problems with the southern
industry. But it is still in its developing stage. We have
great artists, good technicians, but the problem arises
when it comes to funding," said Siddique.
"In South the movie market is growing. They are experimenting
with story lines. The difference in cinema of both the industries
is basically of the language. Otherwise, Indian emotions
are same all over the country. Their understanding of a
subject is more or less the same," he added.
He also feels regional films are finally getting their
due.
"Not only in their own country but even across the
globe. Now, their reach is not limited. They have set a
mark in global market thanks to international festivals.
Earlier the Kannada market was around Rs.80 lakh to Rs.1crore.
But now it is around Rs.40 crore, alone," he said.
Though the director is smitten by Bollywood, there is one
area that Siddique feels Bollywood needs to improve upon.
"We (people down South) start work early. Usually,
we start our day at seven in the morning or maximum by nine.
But here that is not the case. The working hours are a little
odd for us. It is my humble request that if the industry
here inculcates the practice of starting early, the atmosphere
would become perfect. It will become more disciplined,"
he said.