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Thursday, April 18, 2024
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BOLLYWOOD ENGLISH VINGLISH
EDITOR'S PICK
Sridevi-Gauri
- women power rocks `English Vinglish`
Rating: **** 1/2
There are no villains in "English Vinglish". Only imperfect human
beings like you and I, who make that common error of taking loved ones for
granted.
Admit it. At some point in our lives we have all felt that if we don`t speak
good English, we are not destined to be successful human beings. Imagine a
housewife - beautiful, efficient, charming, supportive - and imagine if she
looks like, well, Sridevi and still feels she is being taken for granted just
because she can`t speak fluent Angrezi.
Shashi`s children find her embarrassing at times. Her husband openly cracks
jokes about her accent. Shashi`s husband thinks he`s just being urbane and
witty. But it hurts. We see that hurt in Sridevi`s eyes each time she is
slighted and snubbed by those whom she loves the most.
We know this world. We know this woman too. Director Gauri Shinde brings to the
comfort of the familiar a feeling and flavour of wonderment, discovery and
beauty.
"English Vinglish" is a fabulous fable of a woman`s
self-actualization. Shabana Azmi used to do such films in the 1970s. The issues
in those films about unfulfilled wives were largely socially-defined -
infidelity, adultery and betrayal. The betrayal of the unforgettable woman in
"English Vinglish" is far less dramatic and therefore much more
profoundly deep-rooted.
Shashi breaks up a little every time the three most important people in her life
- her husband, daughter and son - crack up at her vernacular accent.
Then comes the chance for redemption. A five-week vacation in the US, a
clandestine crash course in English and best of all, a chance to feel wanted and
special when a fellow-classmate, a quietly striking French chef, gives Shashi
the attention she doesn`t get from her husband.
This is the complete middle-class woman`s fantasy. Go out on your own and find
happiness. Shinde wins over the audience at the story level itself. And then as
a bonus, she proves herself a master storyteller.
Sure, Shinde gets a tremendous boost from cinematographer Laxman Utekar who
captures New York in its quiet mellow state of bustling grace; composer Amit
Trivedi`s music simply and fluently melts into the theme and storytelling; and
editor Hemanti Sarkar cuts the footage the way Shashi would cut her vegetables,
precisely, lovingly and without anxiety.
Finally it`s really the director`s call.
In what I rank as the best debut by a female director since Aparna Sen`s
"36 Chowringee Lane", Shinde imbues a majestic mellowness and an
unostentatious glow to the story of Shashi`s coming-of-age saga. Shashi`s ennui
is not the in-your-face tragic pathos of Madhabi Mukherjee in Satyajit Ray`s
"Charulata" or Shabana in "Ek Pal". No case-history of
domestic torture is built for our heroine. And no, the husband, played by Adil
Hussain, brilliant in a thankless role, is not a cad sneaking into another
woman`s bed.
The narration doesn`t try to pin its resplendent protagonist`s life down to
boomarked vignettes suggesting a violent need to be liberated from her domestic
life. It`s all very routine, recognisable and familiar.
The miracle of watching "English Vinglish" confer such a supple and
contoured shape to Shashi`s life is attributable to the director`s high-concept
theme and treatment. Shinde abhors overstatement. You hardly ever see Shashi
break down. And so when the awards fall into Sridevi`s lap at the yearend the
nomination clip won`t be the woman who suffers wracking trauma stereotype.
Nope. This woman is far more special than the bored housewives who look for an
alibi to burst into their own version of `Kaaton se kheench key yeh aanchal` to
justify their succulent bites into the forbidden fruit. Sridevi simply sinks
into the Big Apple, biting off juicy mouthfuls of New York`s sobering cultural
grace absorbing the cultural shock with a dignity that films about journeys tend
to undervalue. Not this one.
"English Vinglish" a delectable geographical and emotional journey
undertaken with a refreshing absence of bravura and selfcongratulation.
Much of Shashi`s inner power comes from Sridevi owning the role. This actress
simply vanishes into her character living every breath of Shashi`s voyage from
laddoo-making to self-actualisation. The journey is so excitng for us the
audience because we feel a new world of experiences unravel for Shashi even as
she savours the newness of it all.
Sridevi is the film`s backbone. To her good fortune, and ours, the film is
supported by a uniformly impeccable cast. Hardly ever in recent times have I
seen so many wonderful performers in one film who don`t seem to `perform` at
all. Whether it`s Shashi`s immediate family, or her sister`s family in the US,
and her classmates at the coaching institute - every character stays with us.
Every person populating the plot is vididly sketched.
Finally, of course, this is Sridevi`s film. In the past she has given
outstanding performances in awful films like "Nagina" and "Judaai".
Here her inviolable virtuosity and exceptional grace get brilliant support from
every department of the film.
Specially memorable are her scenes with her French co-star Mehdi Nebbou who is
so splendidly supportive, we forget what a major star he is in France.
Each time the two get passionate and emotional about one another, they speak in
their native tongues, certain that their words would not impede the meaning of
their thought expression.
Words, this beautiful work of unassuming art tells us, are redundant. More so,
when the embodiment of silent eloquence Sridevi needs to express her inner
thoughts. She never allows her character to look like a victim. That is the real
triumph of "English Vinglish".
Sublime, subtle, seductive and thoroughly engaging "English Vinglish"
is in some ways, a life-changing experience. It turns around the male gaze,
making patriarchal tyranny seem like an acceptable tradition that we never
thought we needed to break. With oodles of persuasive charm, the director breaks
down the bastion of male pride with a film that generations will look back on
with affection. As for the incandescent Sridevi, was she really away for 16
years? She makes the contemporary actresses, even the coolest ones, look like
jokes with her flawless interpretation of a woman who seeks only respect because
love, she already has.
Flaws? Yes one. Amitabh Bachchan`s cameo, interesting as it is, overstays its
welcome. Actually Shinde plays the Big B the best possible compliment in the
opening credits: "100 Years Of Indian cinema 70 Years Of Amitabh Bachchan."
To that we can add, a good 40 years of Sridevi. If you watch only two films
every year make sure you see "English Vinglish" twice!
Actress Sridevi is ecstatic that her film "English Vinglish" has completed five years of its release in Hindi cinema on Thursday.Read More
New formats, platforms don't excite me: Gauri Shinde"English Vinglish" and "Dear Zindagi" fame director Gauri Shinde says digital platforms may be booming in the country currently but they do not excite her without having a "compelling" story to tell.Read More
Money,
Fame and the Knowledge of English. In India, these 3 factors play a huge role in
how society judges an individual.
English Vinglish is the story of a woman who does not know English and is made
to feel insecure by her family and society at large. The film is a light
-hearted yet touching and transformational journey of Shashi. Circumstances make
her determined to overcome this insecurity, master the language, teach the world
a lesson on the way to becoming a self assured and confident woman.
The film is shot mostly in New York and captures the inherent struggle of many
people all over the world with the English Language. Hilarious, touching,
sensitive, this film marks the come back of India’s biggest female star…Sridevi.
Written and Directed by Gauri Shinde. Produced by R. Balki
Promotion of television premiere of film English Vinglish Stills